Reading Rainbow

Were your parents too cheap to buy you a Shogun Warrior when you were a kid? Did they not love you enough to shell out for a complete set of Strawberry Shortcake dolls? You're a grown-up now - head to the flea market or Ebay and fill that nagging hole in your soul! Who's going to stop you? Your spouse or significant other? Your financial planner? Why are they trying to keep you down? Do they hate your happiness and well-being?

As a kid I wanted anything associated with Star Wars, even more so than dinosaurs and Peanuts, my previous obsessions. Put a Star Wars sticker on a comb and I'd start negotiating: "Mom! Dad! You know how much I love combing my hair - please, please, please get this for me. I won't ask for anything else until Christmas, I swear. I'll brush my hair every morning please, please, please!" Then I'd get it, be a styling combed hair little kid for a couple days until I got bored and wanted a Star Wars pencil holder or trash can.

Couple weeks ago I finally recalled the name of a Star Wars book I had as a kid. The way I remembered it, it tied the movie in with its influences in westerns, war movies, and science fiction serials. There was photo of John Wayne from The Searchers, as well as that half guy from Freaks that I'd dare myself to look at. There was a chapter on Universal monsters which I was also getting into at the time. Even though it was a kid's book, it still planted the seed of an idea that a movie (or any artwork, actually) is more than what's on the screen, it's all sorts of previous influences and inspiration and can be a way to understand the bigger culture.

This meant that I was one of the few kids on the playground in Mississippi who was able to say with an affected sigh, "Yeah, Star Wars was OK, but it was better the first time when Kurosawa called it Hidden Fortress."

After finding the generically named The Star Wars Album on Amazon for three bucks (and 25 on Ebay - come on people, knock it off), I found that I was sorta right in my memories. The Star Wars Album is a quickie production with no author listed but manages to be better than it should be. The first twenty pages or so deal with the influences, then about a third of the book is taken up with movie summary, then there's info on the art and models and behind the scenes stuff.

Flipping through it, I remembered how many of the movie photos I tried to draw (and also remembered how I was sort of annoyed the book spelled out names like Artoo Deetoo.). And yeah, the picture from Freaks that fascinated and terrified me was there, ready to terrify me again.

This photo really  messed with me as a kid.

Funny how such an obvious cash-in held such a place in my memory for so long, and I'd suspect began my obsession to research and investigate my media tastes, from finding out all I could about the movies that influenced Star Wars (well, the monster and sci-fi stuff) to poring over Thank You notes on punk albums and noting what shirts my favorite bands wore to find more musical obsessions, the book started me down a collector nerd path of which I've only recently sort of stepped off of.

Years later (or between Star Wars movies) I was became obsessed with the Hardy Boys. I saved all my money to buy as many books as I could. I wanted a brother I could solve crimes with (I had a perfectly fine sister, but detectives seemed to travel in same-sex groups), and if I couldn't have that, at least give me a bumbling fat comic relief character who would blurt out something so stupid yet genius that he would help crack our case.

I had a friend who was equally obsessed, and we'd trade books after school in my mom's classroom, filling in the gaps in our respective collections. He had one book, however, that he would not part with - The Hardy Boys Detective Handbook. I don't blame him at all. Damn, did I want that book. I needed that book. He wasn't using it - he never told me about solving any crimes or tracking clues at all. It just sat in  his stupid house while crime ran rampant in Bradenton.

I did get to borrow it, and committed some of the techniques to memory, which is more than he ever did. In the years since I've forgotten most of it, but I did remember it had a glossary of criminal slang which I hoped I'd overhear some unsavory character use someday so I could tell the cops or my dad or something.

I figured while I was buying ancient Star Wars books, I should probably shell out for the Detective Handbook. Who knows, maybe it had as big an effect on me as The Star Wars Album did. Or maybe I can finally launch that detective agency this city needs, or at least learn some cool old-timey slang.

I had completely forgotten that Detective Handbook opens with a bunch of  chapter-long cases designed to illustrate different aspects of detecting to junior sleuths. Like one chapter would deal with making plaster casts, one would tell you how to dust for fingerprints, that sort of thing. Also, one chapter is called "The Case of the Shabby Shoes," which I think was Tim Gunn's first big case. These were kind of cool, but learning that criminals call the electric chair "pew" or a passer of counterfeit money is called a "queer shover" (at least whenever this thing was first published) is sure to repay the 2 dollars I paid for it in no time.

Sharpening my observation skills.

Overall, it's not as corny as I would have thought, and had I owned it when I was younger, many crimes might not have gone unsolved, or maybe I could have used my powers of deduction to free some innocent people. Instead, my meager detective skills were put to use investigating bands and records, crime continued to spiral, and we ended up electing a TV conman as President of the United States.

One of the great things about being an adult is that you're fee to use your wealth and discretion to fill up those nagging holes in your soul. So check that Paypal account! Hit the yard sales this weekend! Get on Ebay at work! You've got childhood trauma to fix!

Aunt Mary's All Alone

My dad's funeral was on a Saturday. I left work early the previous Monday when I got the phone call and spent the rest of the week in a daze. I obviously knew he was gone, but it didn't seem altogether real, that someone I knew for my whole life (and had known me even longer) had just been sort of disappeared from the earth.

I spent a lot of time on the couch, sort of halfway paying attention to movies we had watched together, texting and talking to family and friends, and trying to wrap my head around his death.

Before my dad died, I had planned to drive down to Gainesville for a Radon reunion show that weekend. While by my estimations I have seen about 46,000 Radon "reunion" or "original lineup" or "final" shows, it's always a good time, and it brings all the oldsters out of the woodwork so we can drink and sing and act the fool away from our responsibilities and set the clock back about 20 years or so to recharge our worn out batteries.

While I obviously wasn't going to go to Gainesville Saturday night, I decided to spend Thursday night in Tampa, catch Radon in Ybor City, then drive down to Bradenton the following morning.

I was a bit conflicted about this plan. Should I really be having fun so close to my dad's death? Sure, I could tell myself that dad would want me to have a good time, but that seemed sort of hollow and somewhat disrespectful. In the end, I decided that it would be good to have a little fun to step into normal life for a little while and to steel myself against the funeral. Sure, that was a pretty cheap rationalization, but it was what I was going with.

I had a great afternoon; sure, sadness lurked around the corners, but I hung around band practice, drank some beers and talked with great friends that I haven't seen in a while, some of whom had gone through losing a parent and offered whatever advice or sympathy they could.

Remember that band in college, that one who might not be technically proficient, and maybe the drummer would slow down halfway through the set, or the guitars might be out of tune, or the singer might forget a verse, but it didn't matter, because after a few songs you and your friends transformed into a single organism, jumping and singing and making the wooden floor creak and bend under your weight while you could transcend, just for a second, the day-to-day cares and frustrations and become one, unified mass of humanity? Well, Gainesville was (and still is) lousy with those bands, and I was counting on Radon to bring that feeling back for a few minutes that night.

And they didn't disappoint. I knew the song that was going to kill me. "Grandma's Cootie," a song about an aunt left alone by the death of her husband who takes a ride on a roller coaster and sees the beach from the top of the coaster.



They played it about halfway through the set, right before "Stepmother Earth," a song that always made me think about the complicated relationship between fathers and sons, even though there's not really anything specific to that reading in the song.

Tears welled as I sang along with old friends and strangers, but they were different somehow. They were sadness mixed with that feeling of transcendence along with a bit of happiness. I could almost grasp a theory about loss and death and the power of friendship and love, but the music and gin and tonics clouded my thinking and it remains just out of reach.

Nostalgia is a hell of a drug. Most people freeze their musical tastes in their 20s, and while I have continued seeking out different genres and styles since then (just ask anyone who has had to endure my "Summertime Reggae/Ska/Rocksteady/Dub" playlist at a cookout), the music and friends I made in my 20s have a special place in my heart. You can use that feeling to live in the past and moan about how things aren't as exciting now as they were back then, or you can take a bit of that feeling now and then to jump start your heart, to realize that you are part of something, that you have friends and family who love you, and that no matter how shitty life can be at times, you will endure and thrive.

I'm not saying that that night cured me, I continued (and continue) to have bad moments and bad days. But it did help, and if the suits at the American Psychiatric Association will ever recognize my groundbreaking research into punk rock music as grief therapy, I feel many more people will be helped.

The Greatest Gift

I got all sorts of loot for Christmas. Over the years I got Atari cartridges, bikes, and just about everything you could stick a Star Wars label on. But probably the best present I ever got was a roll of paper.

I realize this sounds like another in a series of stories where readers think I grew up in the Depression or the prairie or something, but it was absolutely true.

When I was 6 or 7, my parents got me a huge roll of butcher paper. It was about five feet long and probably about two feet in diameter. That made for a lot of paper. It had a cutter - sort of like how you'd cut off Saran Wrap, only not as toothy. I was a kid, after all.

I have no idea where my parents would have found a huge-ass roll of paper, but I'm assuming they found it at a garage sale, which is where they buy about 80 percent of their non-food items.

I don't remember actually finding it under the tree, and I'm not even sure I cared that much about it at the time, what with all the other stuff I presumably got.

Over time, however, it probably ended up being the present I used the most. I would draw Star Wars movie posters, huge, Bayeux Tapestry-sized recreations of World War II scenes (which were really just a bunch of tanks and airplanes and battleships blowing up other tanks and airplanes and battleships displaying Nazi flags), shark attacks, and who knows what else. Probably a lot of Peanuts characters.

I don't know what happened to all those pictures. It probably isn't too easy to keep a 4 foot long kid's drawing around for very long, but man, if I could recreate some of that stuff, I'd be hailed as a postmodern genius for my depictions of Snoopy in a TIE fighter shooting down a shark in a Nazi airplane. That would totally get me the front cover of Juxtapose.

In retrospect, it was a pretty genius gift. It kept me quiet and amused for...damn, years, now that I think about it, and it helped develop the chops to become the best artist in just about any school I went to. Until I met Joel Simmons in 5th grade. He probably had a similar roll of paper.

I probably stopped using it around middle school or so, and the roll of paper was stored in the garage, where I'm pretty sure I saw it last Christmas, but it's really hard to be sure, since my parent's garage is an accumulation of decade's worth of garage sale treasures.

If you're looking for a gift for your kids this year, see if you can track down a big-ass roll of paper. I mean, don't cheap out and not buy them the Talking Elmos, or Cabbage Patch Kid or Furby or whatever, but in the right hands, a big-ass roll of paper can amuse and entertain for years. Plus, it'll keep them quiet for a while.

Are You Ready For Some Football?

I had an idea this morning. I wasn't fully awake yet, so I guess technically it was a dream, but I was aware enough that I could sort of watch over everything and tell myself that I needed to remember as many details as I could, as this was going to be the million dollar idea I had been waiting on.

In this dream, two guys decided to start a football league. Not like the XFL or anything, more like an adult intramural league, only with a Super Bowl involved. Actually, the more this dream unwound, it appeared that they were more trying to hijack an existing kid's league, like Pop Warner or something, but since their team was made up of adults (which somehow wasn't against the rules), they could crush the competition with no problem, and win all the money, fame, and accolades the Pop Warner Super Bowl awards.

As this dream was unspooling, part of me was watching, waiting to see what happened so that I could use it as a screenplay in my real, non-sleeping life.

The guys build a team full of grown-ups, including a huge fat guy who was originally going to be on the offensive line, but then they discovered he had an amazing arm, so the fat guy got promoted to quarterback.

There were some parts that didn't really make sense, like this guy who would pop up now and then wearing a white button-down shirt. He had a quarter-sized bloodstain on his shirt that would grow until his white shirt turned red. Nobody seemed to be alarmed by this. Maybe he was the coach.

Throughout the dream, another part of my subconscious was poking me, saying, "Did you get all that? Did you see that fat guy quarterback? Make sure you remember that. Fat guy quarterback is your ticket to a money-making screenplay."

When I finally woke up, I realized that my dream was a mish-mash of a bunch of different movies that pop up on cable on rainy Saturday afternoons, and I was much too lazy to write a bunch of scenes and characters or whatever it is you have to do with a screenplay anyway.

So I did the next best thing. By documenting the idea here on the internet, I have now registered a copyright, which I believe is how those things work. So when Fourth and Long starring Vince Vaughn and Owen Wilson appears in 2015, I should get a sizeable paycheck.

Crime and the City Solution

Poking around the comics/graphic novel section at work the other day, I found CRIME, a big bound volume of '50s crime comics. With a title like that, you gotta take a look.

Crime!

The library has a few bound collections like this - big color reprints of horror and crime comics that caused a stink in the '50s. Enough of a stink that there were Senate hearings and comic burnings.

They're not even storing them in plastic sleeves before burning them!

Soon rock and roll would take the heat for juvenile delinquency and fun, and comics were off the hook for a while.

As a librarian and a fan of entertainment with no redeeming social value, I've always been against the censors and banners of the world. And who the hell gets that worked up over some comic books, anyway?

Well, uh...maybe those squares from the '50s had a point. Holy crap, were those things gory. You've probably seen stuff from the horror comics, where bad people get their ironic comeuppance, like a greedy guy gets drowned in molten gold or whatever. The funny thing is, a lot of the 'bad' people didn't really deserve their fates. Like, for the crime of dancing with another man a woman gets mummified by her jealous husband, or a guy who is rude to waiters gets eaten by vampires. Kinda makes getting your hand cut off for stealing seem quaint.

That's to be expected in horror comics. What I didn't expect was how gory the crime comics were. Everybody's getting machine gunned or stabbed or shot on just about every page, all in beautiful detail. As in the horror comics, there is a moral at the end, where the criminal is either shot or led to the electric chair or noose. All of this is illustrated with lots of bright red blood, popping eyeballs and jumping tears of sweat.

I suppose the publishers could say that by demonstrating that crime doesn't pay, the comics were actually moral instruction. Possibly, although the only instruction I've gotten out of them so far is some cool slang, like, "Aw, go peddle a herring," and "Wot a night, baby! Dancin' wit you is like wrasslin' with a feather!" Which is answered with "Yeah, Slug! Ain't that music the nuts?" Look for me to drop those phrases in conversation the next time we run into each other. It'll be the nuts.

So with all this gore, violence, and outdated slang, I have to give CRIME Googoomuck's highest recommendation. Five stars, two thumbs up, 12 tommy guns blazing. Seriously, it's the nuts.

Tales of Rock and Roll Glory

A disclaimer: as with many of the stories here, I can not 100 percent verify the following tale's accuracy. I'm almost positive one of the band members told it to me right after the tour, but my age-ravaged memory could be making that up as well. I don't want to submit it to my usual thorough, hard-hitting investigative reporting, because I really like this story, and want to believe it is true.

Let's proceed.

Panthro United UK 13 were a Gainesville punk rock band in the late '90s/early '00s with a long name. They were awesome.

Jimmy the bass player had been growing a beard on one of their tours. One day out of boredom or funniness, he shaved it all off except for a mustache. The band pulled up to play a show at some little bar in the middle of nowhere. While the opening bands were playing, Jimmy sat silently alone at the bar with his mustache and some aviator glasses, drinking, and occasionally blurting out, "Don't look at me. I'm an undercover cop."

Now I might be a simple country lawyer, but I'm pretty sure most undercover cops don't usually yell out their status in bars.

Here's Jimmy in some snazzy blue pants. Picture by elawgrrl.com.

Most of the people at the bar/show were younger than the band, and they were starting to get seriously weirded out by this older mustache guy. They were pretty sure he wasn't really an undercover cop, but he was still being a big ol' mustached weirdo down there at the end of the bar.

Meanwhile, the rest of Panthro is getting ready to play. The kids are still eying Jimmy, wondering if they're gonna have to do something about this guy before the band starts. Finally, Jimmy finishes his drink, runs up to the stage, puts on his bass, turns around to face the bar, hits a chord, and the kids start gong nuts. Crazy undercover cop guy was a rocker!

I'd like to think that those kids learned a lesson that night. That maybe even the quiet square (or weirdo calling attention to him/herself) might be an undercover star, ready to rock faces off at a moment's notice.

Even if they didn't learn a lesson, they still got to see an undercover cop play bass.

EXTRA BONUS STORY!

Since I can't completely verify that story, here's another Jimmy story from an earlier tour with Don's Ex-Girlfriend and Highway 66 that is 100% true:

This tour was so long ago we used covered wagons to cross the country, and once we got to Chicago Jimmy was running out of money. We were in Chinatown and he's counting his remaining funds, and says, "Alright, I can't buy any more stupid stuff." Ten minutes later he bought a $15 T-shirt with a big smiling face of Andy Lau, with huge letters saying ANDY. Of course, the largest shirt they had was designed for a Chinese girl, so you could see his lungs working through the thing. He wore that shirt for years, and it was always awesome.

Death Comes Ripping

In the near future, every band will have a documentary made about them. I'm eagerly awaiting Party at the Spoke House: Gainesville Bands of the '90s. But I usually end up watching them, even if I'm not a fan of the band in question, so maybe I'm part of the problem.

I didn't have my hopes too high for A Band Called Death. I figured it would be an entertaining hour and a half out of the crippling Florida heat, and I could eat some nachos.

But man, was it good.

Death was an early '70s  proto-punk band consisting of three African-American brothers in Detroit influenced by Alice Cooper and the Who. Black people didn't want to hear them. White people didn't really want to hear them, either. Actually, that's not really fair, they could have had a record contract with Clive Davis if they changed their name, but the band stuck to their guns, pressed a forgotten 7" single and eventually broke up.

35 years after the band broke up, they were rediscovered by record nerds and reunited and repressed a full album.

In between is a fascinating story about family, dedication, the power of creating against indifference, and the rediscovery of long-forgotten music. While I think the music is more hard rock than punk (not that there's anything wrong with that), the vibe is definitely punk in the creativity, drive, and stubbornness, seeing worth in music that was ignored or mocked by 99 percent of the world. (and in the funny/offensive name).

The second part of the movie lags a bit when it gets into the record nerds rediscovering the band (I never did figure out the story of the guy who saw the $800 single on ebay. Did he buy it? And why was Jello Biafra in there talking about weird records if he wasn't going to talk about the band/record in the movie? Do Henry Rollins and ?uestlove pass each other in the parking lot constantly as they get filmed for yet another music documentary? Do they carpool now?), but the ending of the reunited band playing to enthusiastic crowds more than makes up for confusing record nerds yakking.

Funny, touching, and rocking, A Band Called Death gets five stars, two thumbs up. Now I feel bad that I ripped my copy of the album from the library instead of buying it.

An Artistic Catastrophe

Remember in school when you'd hear about people rioting when they first heard "The Rite of Spring" or went all crazy over some Picasso paintings or beat up Ornette Coleman? And then you'd go experience the art that got everyone so pissed off and you'd just sort of shrug and wonder why people were so much more excitable back in the old days?

Maybe you even thought that those reactions you heard about years later were exaggerated; I mean nobody really goes that crazy over art that you could just as easily ignore, you know?

I am here to tell you that some art is still so ahead of its time, so revolutionary, that the masses erupt in rioting and poor behavior when confronted by it.

I speak, of course, of the cat circus.

Years ago, my ex-wife (who was my wife at the time) called me at work and informed me that there was a cat circus that weekend, and we were going.

I might have put up a bit of a fight just to keep things interesting, but I was intrigued. Plus, it was only five bucks and in a hot sauce store, so how bad could it be?

The hot sauce store was very small. Probably about twice the size of my living room. When we arrived with our friend Keith and his daughter, the place was packed. I guess they underestimated Jacksonville's love of art and culture.

They had to schedule a second show because there were so many art lovers. It was tight, but we were able to squeeze our way up front. As we made our way up there, we could hear people loudly complaining trying to get their money back because of the poor conditions.

The complaining would only grow louder.

So we watched the cat circus. It was pretty much what I wanted to see. From what I remember, some cats walked on a little tightrope. A rooster did...something or other, and I think there were some rats doing some stuff. It was hard to see. I think they rang some bells or something.

And yeah, some of the tricks were a little rusty, like when the lady sort of had to coax the cat onto the tightrope, but still, she got a cat to walk across a tightrope. That's more than I've ever done. And I wasn't really expecting to see cats flying out of cannons or catching each other on trapezes, you know?

But the cat circus was just a warm up to the main event. The cat band.

Check 'em out! Cats rocking the house!

I've seen a lot of bands in my time. I've seen bands at house parties where condensation was dripping off walls and the floorboards creaked as people danced. I've seen amazing, cathartic sets at the Hardback, when it seemed like the whole crowd and band was one pulsating organism. I saw The Who finish up "Love Reign O'er Me" as a rainstorm started in Tampa Stadium. I saw the Jesus Lizard and Fugazi in their prime, multiple times.

But none of these bands could hold a candle to The Rock Cats. Never have I felt such primal energy combined with musical talent as I did from those three kitty cats that night in the hot sauce store.

OK, not really. It was three cats playing instruments. What did people expect it to sound like? Beethoven? King Crimson? It actually reminded me of that post-college time when people started playing "sound sculptures" or "experimental music" or "noise" instead of playing music that was all full of fun and rock and roll. That stuff is a lot more tolerable coming from little kitties than from arty musicians.

I guess the band rubbed people the wrong way, too. People were going crazy, demanding refunds (a whole five dollars!) because the show wasn't "professional" enough.

Me, I got my five dollars of entertainment out of the thing.

I felt sorry for the hot sauce store owners, having to put up with people angrily shouting, complaining about the poor conditions and lack of  professionalism in the cat circus and band. I also felt sorry for the cat circus woman, who was only trying to expose our fair city to some art.

But most of all I felt sorry for the crowd. These people were experiencing some of the greatest, most groundbreaking art of the 21st century and all they could do was complain about the temperature in the room or the fact that three cats couldn't play "Eruption" or "A Love Supreme."

I wept as I started the car and we drove home. I wept that our city could not appreciate the power, the art, and the majesty that was the cat circus. I wept that years from now, children would not understand that the cat circus was ahead of its time. Would they judge us harshly? I hoped not. There were some of us who got it, some of us who were hip.

I pray that history remembers us.

Stuck in the Middle

When I think of all the space in my brain filled with useless knowledge that could have been filled with math or physics or some way to make money, I blame TV and movies. And my friends.

Like everyone else, I get songs stuck in my head. I'll also get words or phrases stuck in there, some of which make their way into this blog. So when you read a rambling, nonsensical epic here that doesn't so much end as just run out of steam at the end, there's a very good chance I was compelled to construct a story around a phrase or sentence that kept bouncing around inside my head.

"Too Close for Comfort" was a TV show that ran in the '80s. Ted Knight was a cartoonist who...I think he had two daughters that he, I don't know, got all crazy if they dated or something. There was also a guy Monroe who lived with them. I don't really remember watching that show.

Anyway, whenever the name "Monroe" came up in conversation in college, my friend Todd would give this exaggerated Ted Knight-esque "Monroooooooooooe" impression. Now, just about every time I see a Monroe Street (and every city has one), I have to do the same thing. Doesn't matter if I'm with someone in the car or not, if I see a Monroe Street or Monroe Avenue, I'll have to bust out with a "Monroooooooooooe."

I didn't really watch the show, but I'd imagine he's about a second away from saying "Monrooooe."

Same thing with Martin. If I see a Martin Street, or Martin's Drycleaners or whatever, I'll immediately get the theme from "Martin" on a loop in my head.

Hey, that's not as bad as I remembered. Go ahead and click on it and have it stick in your head the next time you hear the name Martin.

I have an Aunt Frances. I don't think she's an actual blood relative, but she's a great lady who acts like a relative. Still, every time I hear her name (or any Francis or Frances), my mind immediately fills in, "Why, just this morning Francis...FRANCIS!"

I've heard that having songs or phrases stuck in your head is a sign of schizophrenia, and I'd look that up, but I really don't want to know. I'm just sort of enjoying the ride right now and hoping all that stuff isn't true. I mean, I have enough to worry about right now, you know?

Everybody Knows that the Bird is the Word

A friend was here for a few days this summer. I try to show visitors the best our city has to offer, so I compiled a pretty good schedule of the area's dining and drinking establishments.

While drinking at Birdies one night, we started talking about strip clubs.

I'll have to admit something here, at risk to my reputation as a dude. Other than delivering food in Atlanta, I've never been to a strip club.*

It's not like I've got anything against naked ladies. It just always seemed kind of ...pointless, I guess. I mean, it's not like you can do anything, you know? You just watch them dance around, listen to Kid Rock, spend a bunch of money, then drive home alone.

Anyway, after more cheap drinks, a strip club seemed like exactly the right place to end the night. But where to go? I had no idea, so I texted some friends. While waiting for their replies, I realized, hey, there's a place right near my neighborhood.  It seems pretty sleazy, too. We'll have a couple drinks, look at some sketchy strippers, then go home and either drink more or fall asleep.

As my friend put it later, "We looked like George Clooney and Brad Pitt walking in there compared to everyone else there." Mostly because we were wearing shirts with buttons and had like, hair, and teeth and everything.

We're sitting there watching the dancers (who have to wear bikinis. Weird.) and a couple of the girls come to our table. They're not as crack-y as I'd expect, and one of them, a curvy goth girl who would later dance to Portishead instead of bad strip club hip-hop, was actually kinda cute. I think she really liked us.

One of the cooler things about being older is that you don't care anymore. The bikini-clad girls are chatting us up, and we're talking to them just like we'd talk to, well, anyone not wearing a bikini in a neon-flashing club trying to get us to buy them expensive shots.

We're so old and square that we're asking them about what they're studying in school and what they're planning to do after they stop dancing, just normal stuff, as we're drinking $75 Coronas.

"So what's the weirdest thing you've ever seen here," one of us asks.

"There was a guy who paid me $100 to hit him in the balls," one of our new friends replies.

"Shit, I'd do that for $10," my friend said, which struck me as really funny, but didn't seem to amuse the dancers as much.

She tells us more about ballbuster and about some guy who wanted to tickle her and then casually says, "Oh yeah. There was the turkey guy."

"Turkey guy?"

"Yeah, this guy paid me a hundred bucks to pretend he was a turkey."

"Wait, wait, wait, this is the third story you bring up? How was turkey guy not the first thing you thought of?"

Actually, that is kinda hot.

"So, did this guy want you to, like, stick a thermometer up his ass?"

"Did he want to wear those little booty things they put on drumsticks in cartoons?"

"No, no, he just wanted me to talk to him, but talk to him like a turkey."

"What? Nobody talks to a turkey."

"He wanted me to pretend he was baking in an oven. So I'd have to say stuff like, 'Oh, you're so golden brown, you're really looking tasty now. I can't wait til I take you out of the oven. You are such a juicy, delicious turkey."

"So you didn't have to pretend to eat him or ... I dunno, gravy him up or anything?"

"No, I just talked to him. After a while it gets hard to come up with things to say about a turkey, but it's easier than dancing."

"Yeah, I guess so. Man, that guy must go nuts around Thanksgiving, huh?"

She described the guy to us a bit, and naturally I've been looking for him ever since. Every once in a while I'll be out in public and I'll start scanning guy's faces, thinking, "I know it's one of you. One of you is the dirty, dirty, bird."

But even more than that, I kept thinking about this poor dude's secret. As a man of the world, I don't care what consenting adults do with each other, but could you imagine having this as your secret fetish? How would you bring that up? Would it be weighing on your mind every Thanksgiving?

"Mmmm, honey. That turkey smells delicious. You know Thanksgiving is my favorite time of the year. I just...sometimes I feel like just eating a turkey isn't enough, you know? Like, I love turkey so much that...why are you looking at me all weird? Uh, you know, just forget I said anything. Help you set the table?"

Or do you bring it up earlier in the relationship? Sort of laying all the cards on the table?

"So...I'm sort of kinky."

"Oh, that's OK, my last boyfriend and I used to watched Cinemax movies together."

"Uhh...Yeeeeah."

Whatever their predilections, I hope both of my faithful readers have a happy Thanksgiving. And if you notice someone gazing just a little too wistfully at the turkey, well...well, it could be me. Are we gonna eat or what? Or you could be at a table with the Turkey Man. Try to be understanding.




* STOP THE PRESSES! I just remembered I've actually been to the Clairmont in Atlanta twice. Once to see Shellac, which probably doesn't count, and once with some friends. My wife at the time was waiting to use the bathroom when a dancer came out and said "Sorry, Hon, didn't know anyone was waiting. Glad I wasn't fucking anyone." Classy!

I'm Your Garbageman

I had a serious craving for some trashy movies before October came and shifted things to horror. And yes, I realize that I'm usually in the mood for trashy movies, but sometimes only a particular sub-genre of crap will get the job done.

The last week of September was time for a mountain of garbage from the '80s.

Like Tougher Than Leather, in which Run DMC use WW2 vintage German Lugers and grenades to fight gangsters (this was almost disqualified since it is sort of a real movie, with like, plot and stuff, even if a large portion of the movie embraces the  "Hey, do something. I don't know...talk or walk around or something, I'm filming. There, that's great. CUT" school of filmmaking.).

Or Intrepidos Punks - which featured movie punks running around doing crimes and being bad and stuff. It was in Spanish, but like those cheap Mexican DVDs of Santo fighting monsters, you sort of figure out what's going on. Awesomeness transcends racial and language barriers. This one was also almost disqualified since it technically wasn't from the '80s, but come on. Movie punk rockers!

And one magical night I made a double feature of Joysticks and Surf 2.

The first 10 minutes of Surf 2 featured topless ladies, the sheriff from Blazing Saddles, an Oingo Boingo song, movie punk rockers, a cop named Chief Boyardee and a big fat guy eating a chain link fence.

Again, this is just the first 10 minutes. Eddie Deezen hasn't even shown up yet and we already have a classic.

Joysticks featured Joe Don Baker, more movie punks, more topless ladies, '80s video games (including a showdown using Satan's Hollow, a real, actual game that was available for little kids and stuff to play back then), a nerd, and another big fat gross guy.

Both of these movies were gloriously trashy, with no sense of reality or bringdown like so many of today's comedies, which feel the need to screech away from the laughs with 20 minutes of "But I only did all that crazy stuff to show I loved you," or "I've grown up now and gotten rid of my cool stuff," or "Dad, why didn't you ever come to my baseball games," No, these movies are pure ridiculous garbage from start to finish, and viewers are a little better for watching them.

Which brings me to Baggies, a movie that would have been the crown jewel of '80s trash comedy film making, had it ever actually been made.

Back when my roommate Todd and I worked horrible jobs at Kash n Karry, we spent a lot of time coming up with scenarios for this imaginary movie. We had a lot of time on our hands and used the power of our imagination to create a beautiful, magical world out of the boring, structured life around us.

Which was pretty amazing, considering we worked there less than a week.

Baggies was to tell the story of a group of heroes working as bag boys at a grocery store (hey, write what you know). It was to climax with the World Championship Bagging Competition, which I swear I've seen used somewhere since.

We would discuss all manner of situations for our heroes to get into, including the classic scene where one of them insists to his friend, "I am not having a party while my parents are out of town," which would cut to Oingo Boingo playing a house party (yes, with a pair of panties on a statue and a pizza on a turntable).

We also had a sexy lady bringing up two cantaloupes to be bagged. Possibly with the nerd fainting.

We were always looking for a good joke to run into the ground, so even after we quit the job we would spend much brainpower going over more jokes and scenes for our imaginary movie.

Our friend Pat joined in and contributed even more scenes. Regrettably, after almost 20 years many of these prize-winning scenarios are lost in the sands of time. Apparently we had a chimp loose in the store because of ...I dunno, hijinx. We also had a downhill buggy race between the bakery and produce departments.

At one point we considered actually sitting down and hammering out a screenplay, but that would require, you know, work and stuff, and it was hard to imagine any movie or screenplay matching the movie that was in our heads.

I'd like to think our unmade movie taught us all a valuable lesson. Not only that we were lazy, but that even a crappy movie takes motivation, energy, and effort. Not every movie can be a Surf 2. These movies are rare jewels, and we must cherish every one.

So please. Support the arts. Support Eddie Deezen. Support party scenes set to Oingo Boingo. Watch a crappy '80s movie soon and feel your mind and heart expand just a little.

Eddie Deezen, Greatest Actor of the 20th Century

The Day I Realized I Was Dumb

Years ago I would gather with my roommate Todd and our friend Pat to watch the human chessmatch that is professional wrestling. From the blatant rule-breaking of Ric "Nature Boy" Flair, to the high-flying acrobatics of Rey Mysterio, Jr., to the mush-mouthed commentary of Dusty Rhodes, to the terminally uptight antics of Lord Steven Regal with his hatred of American commoners, we would watch every weekend.

Lord Steven Regal. How could you not love this guy? Look at that sneer! And that monocle!

There was also The Laughing Man. He wore a leotard with question marks and would break out into insane laughter after he'd defeat someone. He might have thrown joker cards around his unconscious opponent, or I could be remembering that completely wrong.

The Laughing Man's "real" name was Hugh Morrus, so he'd be referred to as "Hugh Morrus, The Laughing Man." Todd and I thought he was some sort of Joker-like character, an insane man so warped that everything is funny to him - his opponent's pain, the booing audience; everything was one big cosmic joke to The Laughing Man.

One day as we heard him introduced as "Hugh Morrus, The Laughing Man," for about the thousandth time it finally hit both of us simultaneously. Hugh Morrus. HughMorrus. Humorous! It all made sense now!

I can't remember which one of us actually voiced our revelation to Pat, but I do remember him just sort of staring at us for a couple of seconds, as if we had actually short circuited his brain with our shared stupidity.

"You guys really didn't get that until now? Hugh Morrus?"

He seemed to ask the question more in astonishment than anything else.

I seem to remember him just walking out of our house in quiet disgust over his two friends' shared stupidity, but again, I could be remembering that completely wrong.

We both ripped up our Mensa applications right after that.