Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Monday, October 22, 2012

Lizzie Borden Took An Axe

I was rarely scared of movies as a kid, mostly because there was so much real life stuff for me to be afraid of: teenagers, little dogs (there was a one-legged chihuahua that lived my grandparents that absolutely terrified me), the future, grades, nuclear war, getting in trouble, sudden death, the explosion of the sun, you know, plausible real-life situations.

So yeah, ghosts, devils, Frankensteins, vampires, whatever you had, for the most part I could handle it. But put a psuedo-scientific sheen on it, and it became terrifyingly real. Like In Search Of, a popular TV show in the '70s/early '80s in which Leonard Nimoy, Spock himself, would present stories about the Bermuda Triangle or poltergeists or voodoo curses with just enough "This might maybe possibly could happen" to keep me tossing fitfully in my Star Wars sheets later that night.



However, every once in a while a movie would legitimately scare the crap out of me. Three of them I still remember. SSSSSSS, about a guy turning into a snake was one. We've discussed Dark Night of the Scarecrow. Now it's time for The Legend of Lizzie Borden, a movie that scared me when I was way too old to be scared of movies.

According to a quick internet search, The Legend of Lizzie Borden was a made for TV movie back in 1975 starring Bewtiched's Elizabeth Montgomery that actually won a couple of Emmys, probably for outstanding achievements in the field of creepiness. I caught it years later in the '80s.


At the time I had figured out how to get in pay channels on my parent's TV. It wasn't perfect, and it was jumpy and in black and white, but it worked, so would stay up late on weekends after searching the TV guide for nudity, violence, and the wild card, "adult situations."

The Legend of Lizzie Borden hit all three, and it was on regular TV so I wouldn't have to assume my usual position of kneeling in front of the television, ready to switch back to non-cable at the slightest sound from the house.

The movie covers the trial of the infamous murder case, while Lizzie has flashbacks or daydreams to the earlier events. I don't remember exactly how old I was but by this point I had seen all sorts of murders and killings in movies and had rarely been bothered or upset. Probably because it all seemed so far removed. I mean, what were the chances I was going ever going to be having sex in a deserted summer camp? Or have sex while I was supposed to be babysitting? Yes, it seemed almost impossible that I would ever have sex at all.

But Lizzie's flashbacks - holy crap. According to the movie Lizzie's dad kept an embalming room down in the basement, where at one point it looks like he's feeling up one of the corpses. There's also a strong current of incest down there, which, just to be even creepier, results in Lizzie accidentally pulling out one of the corpse tubes, resulting in blood splattering all over the place.*

Then there are the murders. According to the movie Lizzie took her clothes off before killing to avoid bloodstains. So my brain would go from "Wow! Lady from Bewitched is naked!** Holy crap, this is awesome!" to "Oh shit! She totally just chopped up her stepmother while smiling!" resulting in all sorts of disturbing feelings that the right medications and an army of psychiatric professionals have only recently gotten to the bottom of.

But what might have creeped me out even more is the overall tone, where Lizzie remains emotionless throughout her trial, even though her parents have been all hacked up. Naturally, the viewing audience knew she did it, and to see a completely remorseless killer who wasn't a Jason or a Terminator or something really freaked me out. It ends with her back at her hacked up parents' house after being declared innocent, and her sister asks her if she really did it. Lizzie doesn't say anything  (BECAUSE SHE TOTALLY DID IT! WE JUST SAW HER GET NAKED AND AXE THEM ALL UP LIKE A DWARVES ALBUM COVER!), and then the creepy slow ragtime piano starts up.


That creepy slow ragtime piano riff would be stuck in my head for years, by the way, as a sort of sign when something creepy happened.

I recently found a copy of The Legend of Lizzie Borden and yeah, it still holds up. Like Dark Night of the Scarecrow, I was initially amazed that this sort of thing could be shown on regular old TV where anyone could stumble upon it, and was thinking there was no way something like that could air today, but then I remembered all the hours of CSI shows all full of semen stains and decapitations and stuff.

The movie is still creepy, still unsettling, and like The Texas Chainsaw Massacre or Halloween, effective enough that you'll think you remember much more blood and gore than is actually in the movie.

Of course, after I bought a bootleg copy of it, I found that it's freely available on Youtube, so don't take my word for it - sit at your computer and creep yourself out. Just don't blame me if that slow ragtime piano riff keeps rattling around in your head.




* This scene would affect me almost as much as the scene in Return of the Living Dead when the old lady corpse is talking about how it hurts to be dead.


** True, it was TV nudity, but when you're 13 or 14 years old, that's more than enough. Hell, the bra mannequins in Sears were like walking though the red light district in Amsterdam.






Monday, September 17, 2012

Elvis has Left the Building; or Stories I Like, Yet Am Not Entirely Convinced They Are True, Part Three

I was watching Elvis on Tour a couple of weeks ago, thanks to TCM, one of the channels that justifies my sending about half my paycheck to Comcast Cable each month.


The movie documents Elvis on a 1972 US tour, a few years before he blew up and got all rambling on stage due to his 'medications.' I've always had a soft spot for '70s Elvis, mainly because his voice sounds more melancholy and ... lived in or something, and songs like "American Trilogy" will instantly transport me to falling asleep in the back of my parent's car as we drove through Mississippi. Plus, he looked all awesome:


King of Rock and Roll, King of his Castle.


At one point there's a shot of the Jacksonville official seal, which reminded me of a story I heard years ago that I've been telling ever since.

Florida Theatre is this cool old downtown Jacksonville theater that has been around since 1927. All sorts of people have played there through the years, including Elvis back in 1956, when the mayor had to be on hand to ensure Elvis' pelvis didn't inflame the Jacksonville youth to unheard of heights of juvenile delinquency and public sexiness.

The upper level of the Florida Theatre is now office space, but it used to house a radio station in the old days, according to the story. Since this was back in the days when bands had to give interviews all the time before rocking, everyone who played the Florida Theatre would go upstairs, give an interview and play a song or two in an effort to get people to come out to the show. Then I presume they ate a fried chicken dinner provided by the theater owner's wife and drank some whiskey before going on stage.

These performances were recorded onto acetate records, which were then just sort of stored away in boxes or used to prop up uneven tables or used in primitive Frisbee games.*

Years later when the theater was renovated, crews went through all the stuff in the top floors and threw it all out. Decades of posters, old props and clothing, and hundreds of unmarked records all ended up in the dumpster.

So somewhere in a North Florida landfill lie hundreds of interviews and performances from the '20s til about the late '60s. Who knows what lies unheard and broken? Elvis is definitely in there, as well as countless other irreplaceable recordings.

This is the part where I would make a dramatic pause when retelling the story and say something profound like, "If only they would have known," while gazing wistfully off in the distance.

So is the story true? I asked Raymond, a senior librarian in the Florida department via email. This is his reply:

"Sounds entirely plausible. I can't find anything on a radio station there by randomly searching city directories, but I do know there was a fully-functional small theatre upstairs in that office building portion on the side of the theatre - like a screening room. Here's a pic of it **with a mic from WJAX, the radio station the city used to own:

I guess WJAX could've set something up to record there, but I think their studio was always elsewhere.

And yes, they probably threw everything away. That's Jacksonville SOP."

The verdict? "Entirely Plausible" is close enough to give it an Unverified But True which might be the highest level of truth we're ever gonna get here.

So feel free to use this story as your own, and remember the dramatic pause and wistful gaze at the end. People really like that.

Oh, and Raymond, I guess I should have asked before using your email like that, but I think Florida's Sunshine Laws should protect me if you try to sue.




*OK, so I made up the Frisbee and table leveling part.

 **You should check out the library's Sandgren Collection. Not all of it has been digitized, but it consists of thousands of photos of old Jacksonville buildings, old school wrestlers and entertainers and general olde tyme awesomeness.

Thursday, August 30, 2012

There's a(n Ice Cream) Riot Goin' On; or Stories I Like, Yet Am Not Entirely Convinced They Are True, Part Two

Jacksonville's logo, "Bold New City of the South" brings to mind several things: like Atlanta's logo "A City Too Busy to Hate," it sent a message that we weren't like the rest of the South, we were progressive, forward looking, and open for business. It also brings to mind this photo of our old mayor about to get smacked in the face with a titty while his Benny Hill-esque sidekick looks on:
I wish I knew how to embed "Yakkity Sax" here.

But Jacksonville had a darker side, a face we hid from the rest of the nation. No, I'm not talking about the paper mills, those have been gone for decades. No, not the Civil Rights struggle, white people were dicks here just like in every other Southern city.

I'm speaking of the Great Ice Cream Riot.

Local historians ignore the Great Ice Cream Riot of Sometime in the Mid '90s. This could be a deep-reaching conspiracy to protect the city's image. Or it could be because it was all made up.

I'll explain:

We had a great team at the Fine Arts Department at the old Hayden Burns Library. One of the advantages to working there was that the new Main Library was about to open, so nobody really cared about the old library. That meant we could do whatever programming we wanted.

And boy, did we.

We had a series of themed amateur film festivals, which went over well - the theme would be whatever our obsessions were at the time - Liberace, '70s truck driving movies, whatever. They were a lot of fun and got a few people into the library who otherwise might not have come. We hosted annual Halloween festivals which would combine whatever public domain movies we could play with live bands and whatever scripted foolishness and in-jokes we could get our part-time pages to perform.

Then one of the librarians mentioned something about an ice cream riot.

She vaguely remembered hearing something on the news years ago about a riot erupting at the Jacksonville Landing after the frozen treats ran out during a free ice cream day.

We had a new obsession and had to had to have a program. So, tempting fate, we decided to stage an ice cream social, combining more public access films with special guest appearances from Kenny Rogers and a cranky Thomas Edison. I'm sure Liberace was in there somewhere, along with the free ice cream. We immediately started work on the centerpiece of the program, a Ken Burns-like recreation of the Great Ice Cream Riot's aftermath.

We wanted to slowly pan over a sepia-tinted photo of kids clutching ice cream cones while lying on the ground while a narrator said something like, "Ice ... cream...Everywhere, I see the remnants of ice cream."

Then we discovered that such a film was way beyond our capabilities and some digging discovered...well, I'll let her tell you. Ladies and Gentlemen, Laura will walk us through the real story of the Great Ice Cream Riot.
 

Q: So did you have the Great Ice Cream Riot in your mind for years? Like if someone mentioned the Landing was that the first thing that came up?


Do you remember our plans to reenact the Great Riot? I seem to remember wanting to do a Ken Burns-style panning over the bodies reaching out for ice cream.


A: Yes, for some reason that story really stuck with me and it did come to mind when I thought about the Landing. Something about those 11 o’clock news stories. There was another one about a guy who donated a giant robot (like the ones they have at monster truck shows) to a small town in Texas and the police used the robot to tear down crack houses. You might want to research that for another “Great stories that might not be true.”

I’m sure the reason we never made the film about the ice cream riot was because our vision was so ambitious.

Q: So it was basically just a food fight that broke out in the food court, right? How did that make the news? And this would have been in the early ‘90s, right?

A: It was in the mid ‘90s. Maybe it was a slow news night? I wish I had saved the article Glenn found for us. The problem is I wanted to believe the riot was a result of the ice cream social so much that I forgot the truth. I think they were actually two separate news stories from the same night. We found evidence that the Winn Dixie-sponsored ice cream social happened at the Landing and Glenn found a story about some guys who started a food fight up in the food court. For some reason I’m thinking the guys were in their early 20s and the whole thing started at Sbarro but I could be making that up.

Q: I seem to remember you were pretty disappointed when you actually found the truth. There is a lesson there. Not that it stopped us from trying to portray the Great Ice Cream Riot in all our following programs. Speaking of which, am I correct in remembering that you and Matthew both feel the Thomas Edison Ice Cream program was one of our worst? I think that was a totally underrated program. 

A: You’ve been talking about how great the Edison program was for so many years that I’m starting to believe it myself.



Q: Was there a point after you found out the truth that you didn’t want to accept it or at least tell me and Matthew about it?
 
A: No, Scott. That would be crazy. My version of the story didn’t mean enough to me to consciously deny it.


Regrettably, the story of the Great Ice Cream Riot will have to be rated FALSE, which deeply pains me, as the idea of a riot breaking out over free ice cream is simply awesome. HOWEVER, even if the story itself is false, it inspired both some extensive library research and an underrated program, as well as an entertaining story, so we shouldn't be too hard on it.



Tuesday, May 29, 2012

Strange Nights with the Girls

If you've followed this foolishness for any length of time you'll recall my belief in the healing power of booze. I wouldn't consider myself a big drinker, but going on a drunk every couple months (when done correctly and monitored by professionals) can be therapeutic - blasting away bad feelings and negativity, and sometimes resulting in the rare negative hangover the next morning - where you feel no ill effects from the alcohol, but instead experience a feeling of peace and cosmic wellness.

Hopefully this will result in breaking down communication barriers, and really, really connecting and feeling something, man. Think of that scene in The Breakfast Club when the kids smoke a doobie and can finally relate to each other. Or if you want to get all highbrow, there's that William Blake quote Hunter Thompson used about a thousand times, "He who makes a beast of himself gets rid of the pain of being a man." 

That's a little dramatic, but there is something to be said for getting drunker than a poet on payday with some friends and seeing where the night takes you.

A friend of mine was in town last week. Let's call her Laura. My ex-wife and I have known Laura since college. She was supposed to stay with me Saturday night after seeing a band downtown. 

I have a pretty good relationship with my last two exes. It's fairly remarkable and cosmopolitan. I'll get drinks or dinner occasionally with my last long term girlfriend, and visit with my ex-wife about every other weekend at the Riverside Arts Market, catching up on gossip, eating Filipino food and just hanging around. I'd like to think they both still hang with me because I am so damn loveable and charming. 

Yeah, that's probably it.

It could be weird at first when I'd run into them, but things have settled into a nice new routine, and I'm legitimately glad to see them and keep in touch, and it seems they like seeing me. Oh. I should mention. My ex-wife is gay, and recently got remarried in New York. To a woman. I get along great with her also. I told you it was all very cosmopolitan.

So that's the backstory. Back to the drinking. After watching the band, my ex-wife, her wife, Laura and I ended up at Birdies (home of the $2.50 mixed drink, if you don't mind Aristocrat gin and a possible paralyzing hangover the next morning), because, well, you pretty much always end up at Birdies when going out in Jacksonville.

I don't think anyone was too drunk, I wasn't eating money or ripping off my shirt yet, but I was comfortable enough to dance in public. And hell, if people didn't want to see me dance then they shouldn't be playing Prince and Cheap Trick. It was fun. I was dancing with a bunch of ladies, doing my patented shaky leg dance (I'll show you sometime ladies, but be warned - you WILL be turned on), and having a blast.
Me with ladies. Note the extended pinky. Classy!

When closing time rudely interrupted the hijinx, Laura was looking for more fun.

"I've got some gin and whiskey at my place," I said. "I think probably some ancient rum and some beer there too."

So it was decided. Actually, here I'm a little unclear. I don't remember if Laura invited my ex-wife and her wife over to my house, but I don't think I would have. No offense to them, but I thought it might be weird, since she hasn't been in the house since she moved her stuff out about three years ago. I mean, like I said, we have a great relationship now, but why mess with stuff, you know?

I didn't have anything to worry about. We put a sizeable dent in my hurricane supplies, everyone was getting along great and laughing and I was DJing. Yes, "Troglodyte" got played. Probably a couple times. I gave everyone the grand tour which was pretty funny since most of what little furniture I have is still in the same place it was three years ago. Hey, I've been busy, alright?

I never thought I'd have my ex-wife and her wife drinking at my house, but everybody was having fun and there was no evident weirdness. After a couple songs, the ex requested a certain song. I was a bit hesitant.

"Dude, you gotta play "Hello, Lucille, Are You a Lesbian."

 "Wait, really? Are you sure? I mean, it's not weird or anything now?"

"No, no, just play it."

And I did. As always, novelty funk music and alcohol brought people together. And that's exactly what I was talking about earlier. It was super fun having the ex and her wife (and Laura, too) in my house that night, but if it weren't for the sweet, sweet booze, there's no way I ever would have been suggestible enough to let it happen. Kids, if you're under 21 and want to have this sort of excitement and open communication EVERY DAY OF YOUR LIVES, find a kindly hobo or local priest to buy you some alcohol. Or perhaps steal some from your parents if they have a liquor cabinet. Maybe learn to distill your own wine from simple household ingredients - ask an ex-con for instructions on the best methods.

Trust me, you will thank me later when you're having adventures, exciting, witty conversations and therapeutic breakthroughs.



Wednesday, December 3, 2008

AP History

For some reason tonight we had a revolutionary war soldier guy in the library. Some kids saw him and yelled out, "Hey Napoleon! Look out for Hitler!"

Tuesday, June 10, 2008

Ben and Me

If you were to rate the founding fathers on a scale of awesomeness, any reasonable person would put Ben Franklin up there in the top three. Not only did he convince France to help us out in the Revolutionary War, he invented bifocals, the public library and the volunteer fire department in his spare time. Plus, he could summon the power of lightning to smite his foes.

Last week Ben came to our library for a program. Apparently this is the go-to Ben Franklin for the History and Discovery Channel. I got my picture taken with him, but haven't received it yet. This is a historical tragedy.

Anyway, a coworker (luckily, not in my department) asked if Ben was coming back. Then they asked, "So was that the real Ben Franklin or his son?"