Showing posts with label monsters. Show all posts
Showing posts with label monsters. Show all posts

Monday, June 17, 2013

Seamonsters

There's something calming and grounding about a body of water, especially salt water. I grew up close to a salt water river, and about 10 minutes away from the Gulf of Mexico, so that might have something to do with it. Maybe if I grew up in Nebraska I'd be all awestruck over wheat fields.

Every morning I bike by the St. John's River for about a mile or so. It's the highlight of my commute, mostly because I know I'm not going to get hit by a car. Seriously, America. Turn signals. They're not that hard.

I get to see people walking and fishing, and the different colors of the water, and the sun shining off the waves. Every once in a while I'll see manatees or dolphins. It's so much better than sitting on Butler Boulevard, cursing the traffic in front of me as I moved another inch every couple minutes. The physicality my ride combined with the calmness of the water keeps my craziness under control better, and I feel I can be a much more productive member of society.

Morning commute. Driving can suck it.
Plus, the St. John's is home to a sea monster.

Yeah, no crap.

 Or at least it was.

These sea monsters weren't tales from olden days when sailors would mistake manatees for mermaids (as a kid growing up in a city that had manatees posted on everything, I never understood how anyone could mistake a lumbering manatee for a sexy lady mermaid, but I guess if you've been cooped up with a bunch of dudes on a boat for six months, just about anything would start looking like a woman.). No, these were modern people, people from the '70s who had TVs and glasses and a knowledge of the animals in the St. John's.

Seriously, if these look like sexy mermaids to you, you've been on the boat too long.


In the mid-seventies, several different people reported seeing strange creatures swimming in the St. Johns - usually a long snake-like animal with a large head and a spiny backbone. According to the Jacksonville Times Union Dave Green reported the creature as "...quill-feathered, fanned tail, like an eel with a ridged-hump down the middle of it" in 1975. A spoil sport later in the story said that the creature was really a school of otters, even though otters are rare on the St. Johns.

The creature was spotted again that year, described as "a 25 foot long creature with a head the size of a basketball."

Once reports came in, more people reported seeing the creature, saying "...they never reported what they saw to the authorities or to the press out of fear of being ridiculed by friends for drinking too much or being branded 'some kind of nut.'"

The creature slept for a few years, then was reported again in 1977, when it was seen again, and was described as pink and bony looking.

Nothing has been heard from the creature since then, at least according to Times Union searches. Or possibly people have been too afraid of being "branded some kind of nut."


As a kid, I devoured books or TV shows about the unexplained - ghosts, the Bermuda Triangle, Bigfoot, UFOs, everything. It helped that I grew up in the '70s when there were whole industries churning out nonsense about how aliens helped the Mayans construct pyramids to communicate with the ghosts of Yetis by using time-traveling crystal skulls.

I've since heard that men are more likely to believe in weird animals like the Loch Ness Monster or Bigfoot, while women are more likely to believe in ghosts and weird supernatural stuff. I have no idea where I heard that, let's assume it was in one of the many scientific journals I subscribe to, but it works in my case.

If you tell me you saw a ghost, I'll think it's pretty cool, but I'll run down all sorts of scientific theories in my head to explain it. If you mention that you think you saw a Bigfoot, I'll take out a loan to buy fancy cameras and traps to help you capture it.

Especially if you think you've seen a sea monster.

Logically, I know that there's little chance of these beasts actually existing today; just the massive amounts of food these things would have to eat to survive makes it pretty unlikely. Plus, with everyone in the world having cameras on their person, it seems like we'd have some proof.

But still, with scientists finding giant squid over 40 feet long or fishermen finding a previously thought extinct Coelacanth, there's always hope that something's gonna turn up.

And every morning I ride my bike to work, I swear that this is the morning that I'm gonna see it.





Tuesday, April 10, 2012

A Unified Theory of Everything Awesome

I've been reading "The One: The Life and Music of James Brown." It got good reviews, but I probably would have checked it out regardless.

Something I learned: James Brown and the Flames' first paying gig was at a theater right after a showing of "House of Dracula." For those of you who don't know, "House of Dracula" was one of the mid '40s Universal movies where they just started throwing monsters together for maximum awesomeness. Like, Dracula would unthaw the Frankenstein monster to hang out with the Wolfman and they'd go around ...I dunno, terrorizing the town together until the Invisible Man would ride in on Mothra and fight them (I might have made up that last part). I caught "House of Dracula" when I was in second grade in Mississippi on "Friday Night Frights," and was hooked, like any reasonable person should be. Here, check it out:



So consider this. You've just watched Dracula and Frankenstein and the Wolfman monster it up for an hour or so. Things can't get much better than that. You're thinking about heading home, but decide to stick around and watch a song or two from this band.

Holy crap! You just saw James Brown! While he didn't yet have that fake passing out only to be revived by his magic cape move (the greatest stage move in music), and "Please, Please, Please" was about the only song they had up to that point, the book states that Brown was competitive and hungry during these early shows he would attack the stage, dancing, fake crying, whatever it took to enough that keep an audience's attention and steal the spotlight from other bands.

This brings up another awesome coincidence. On July 20th, 1969, Neil Armstrong becomes the first man to step on the moon. Some might argue that the space program was a waste of resources, that we spent millions just to walk around up there, pick up some rocks and hit some golf balls. But to quote the inspiring words of John F. Kennedy, "We choose to do these things not because they are easy, but because THEY ARE TOTALLY KICK-ASS."

People looked at the moon for thousands of years and we get an opportunity to drive little golf carts on it and jump around on the surface? Hell yeah, we're gonna go to the damn moon.
 
On the same day fifteen years later, SST Records releases two double albums, Husker Du's "Zen Arcade" and "Double Nickels on the Dime" by the Minutemen.

As a discerning individual, you probably don't need me to tell you about these albums - two of punk/hardcore's finest moments, albums that could be both raging and searching, expanding the musical palate, and creating dynamic, ambitious works of art that, to quote President Kennedy again, were "totally kick-ass."

Neil Armstrong on the damn moon. He's proud, excited, and humbled, yet still a little pissed he has to wait 15 years to hear "Turn on the News" or "This Ain't No Picnic."

So what does all this mean? Simple. Usually the Gods of Awesome dole out the treats over time, so we mortals don't get too used to things being amazing all the time. They realize it would make us lazy, weak, and dependent, and possibly wreck several economies.

Sometimes, however, they go a little nuts, like the people behind "House of Dracula," and just start throwing the awesome around willy-nilly. Religious scholars tell us that this keeps us on our toes - we never know when the next James Brown/Frankenstein team up will happen or when two seminal albums will drop on the anniversary of one of the awesomest events in world history.

Because of this, we can't give up. There are always going to be new corners of the world to explore, new music, new art, new awesomeness just around the corner. Sometimes it might take a while to find, but sometimes it explodes in our faces like a monster battle royale. All we have to do is be receptive.

Man, James Brown and Dracula. That would be the greatest show ever.

Monday, October 17, 2011

Rate the Vampires

I read "Dracula" for the first time for a book club I'm doing at work. Strangely enough, I never read it before. I've read a hundred different abridged versions of it and seen even more of the movies, so I thought I knew the basic story.

Except the basic story is pretty different from the original. First of all, Dracula drops out after page 50 or so and it shifts to Lucy and Mina and their suitors, like someone snuck a copy of "Pride and Prejudice" into my vampire book. Dracula's death is strange, too. It's the last page and they just behead him and that's pretty much it. And Dracula has a mustache? Come on.

So I decided to rate the movie vampires. I was going to just rate the Draculas, but I expanded it a bit to create a completely arbitrary guide to movie vampires, just what the world has been crying out for.

Some of these I've seen recently in my run up to Halloween watching, some I haven't seen in years, but since this is the internet, I still feel that my halfway remembered version of a movie is absolutely correct.

Nosferatu (1922) and (1972)
The first time I saw the original I was at my Great Uncle Norwood and Aunt Tiny's house. Uncle Norwood was watching it on the TV in the Florida Room. I was about 7 and wasn't allowed to see it, which made me want to watch all the more. I read all sorts of books on monsters and ghosts and whatnot, so I figured I was old enough to watch some ancient black and white movie. I caught a glimpse of Nosferatu creeping up the stairs with his long claws and rat face and immediately started bawling. Sometimes the adults are right. Rewatched recently as a grown up, Nosferatu is still creepy and manages to create an overall sense of fear and unease. Sure, other German stuff at the time was more visually arresting with all those crazy angles, but man, that makeup job on Nosferatu is still aces.
Rating: 5 bats

Warner Herzog's remake with Klaus Kinski already has 3 points to recommend it. Klaus Kinski, Warner Herzog, and Nosferatu. From what I remember, this Nosferatu is more closely linked with the plague, but Kinski's Nosferatu is strangely able to become a sympathetic character.
Rating: 5 bats

Dracula (1931)
Dracula has it's problems. It's really stagey and you can see how movies were still trying to work out a style away from the florid silent tropes. There's a couple characters who either don't register at all or who spend way too much time on the screen. But when Bela Lugosi gets a scene, you're riveted. With his Hungarian accent and courtly manners that seem just a touch off, you can totally see how the Count was droppin' panties and stabbin' jugulars all across Europe. While nowhere near as scary as Nosferatu, Lugosi so completely owned the role that to this day if you grab someone at random and ask them to give a vampire, they're gonna do Bela Lugosi.
Rating: 4 bats as a whole, 5 bats for Lugosi

Christopher Lee's Hammer Draculas (1958 - 1974)

Christopher Lee's Dracula combined both the earlier approaches. In the beginning he could be smooth, but once he saw an unprotected neck or someone finally figured out he was a vampire, he'd become a feral, hissing fiend with the strength to toss people around his castle. You know what you're getting into in each movie; there's gonna be a visitor going to Draculaland who gets warned off by the natives, Van Helsing shows up, a bunch of pretty ladies in low cut gowns vampire around, there are some debates about science and religion where someone says, "Vampires? Why it's the 19th (or 20th) century," Dracula is eventually killed and then resurrected in the next movie. That's not to say that's a bad thing, even the ones where Dracula is running around in mod London are worth watching, and with Peter Cushing as Van Helsing, the Dracula movies finally have someone equal to the Count on screen.
Rating: oh what the hell. 4 bats

Bram Stoker's Dracula (1992)
I remembered not liking this one when I saw it in the theater, but I've warmed to it a bit more from constant rotation on TV. The Vlad the Impaler stuff is pretty cool, and Dracula as an old man is interesting, but seeing him walking around London with long hair and Lennon glasses and a wispy beard and mustache just doesn't jibe with my idea of a Dracula. Plus, this started the trend of vampires who whine about how terrible it is to be a vampire. Or maybe that was Lost Boys. It also loses a bat for there being no gratuitous Winona Ryder nudity.
Rating: 3 bats

Interview with a Vampire (1994)
This started the transformation of vampires from courtly Europeans or hissing beasts into college sophomores after a bad breakup, only with more frilly clothes and an urge to theatrically exclaim every emotion they are feeling. Really, how terrible is it to be a vampire? You get to sleep in cool old castles, turn into a bat, seduce ladies and you even get a cool-ass cape. If I were a vampire, you'd never hear me complaining about it.
Rating: 2 bats

Twilight (2008)
Obviously, I'm completely the wrong market for this, but come on. Vampires that don't turn into bats? That hang out in the daytime and don't drink blood? That go to school?
Rating: 1 bat, and that's generous.




The winner, and still champion

Tuesday, March 16, 2010

Two Gentlemen Discuss Cinema

The film up for review, John Frankenheimer's 1979 environmental horror film, "Prophecy." A few weeks back I got on a '70s 'animals attack people/Jaws ripoffs' movie kick and was told by a friend that this one was not to be missed. The following are our undoctored emails, definitely not done on work time, taken right after a viewing:

Me:"Prophecy." Just...wow.

Indian ax vs. logger chainsaw, monster tadpoles, burny bear fetuses, Holy crap, that big melty bear just totally ripped off the roof!

Patrick: Don't forget when they're all like, whew, the melty bear drowned, and then OH JEEBUS HE'S COMIN OUT DA LAKE!!

Scott: STAB HIM WITH YOUR ARROWS, INDIAN!!!

Patrick: Why must the white man poison the earth with his greed, Scott Adams? WHYYYY?

Scott: Hey, you like your paper, don't you? Well, then you're part of the problem.

Patrick: Hm, yes, well. I suppose I am. Bring on the melty bears then I guess.


I would like to add that the melty bears came about though a paper company dumping chemicals in the river, which makes our final conversation make a bit more sense. Oh, and check out that melty bear!

Five stars for "Prophecy."

Monday, October 26, 2009

Welcome to Scare the Children Theatre

I loved horror movies as a kid. Loved 'em. When I was a kid and we lived in the dorms at Mississippi State, every summer Friday night I'd walk down the hall to the communal TV and catch "Friday Night Frights." I'd spend my Scholastic book ordering money on monster books, so I knew all the monster's backstories.

Consequently, while I was scared of a lot of things in life (little yappy dogs, teenagers, lightning, etc.), horror movies didn't really scare me too much, mostly because I knew that they were made up, and that the chances of me running into a vampire or Frankenstein in Starkeville, Mississippi were pretty rare. My parents did take some archaeology classes, though, which freaked me out; everyone knows archaeology is all full of vengeful mummies and curses that can turn your kid into an orphan.

However, there were a few movies/TV shows that scared the crap out of me.

Sesame Street
The Count always sort of freaked me out. No, not because he was a little plush Bela Lugosi, but the fact that he had to count everything really rubbed me the wrong way. "Why? I know he's a Dracula, and they do weird stuff, but why can't he just stop counting?"

The Swarm
Saw this when I was about 8 with a friend in the theater. It's about killer bees coming up from Mexico and biting the hell out of people. The thing that really got me is the shot of a schoolyard (I think, I haven't watched it in years) where they show a dead little kid's hand clutching one of those big lollipops while bees walked over the sweet, sweet candy. That night my friend and I lost a lot of sleep due to the air conditioner's bee-like buzzing. I think we might have sealed up the windows and doors with towels just as a precaution.

SSSSSSS
So in this movie, Face from "The A Team" gets turned into a snake by a mad scientist. I'm not really sure why the scientist wanted to turn people into snakes, that's just the sort of thing you do, I suppose. The most horrifying part is the rejected man/snake hybrid:


I recently re-watched this, and yeah, it's still pretty creepy. But what was even more terriying than the creepy snake-man was the fact that my friend's mom was chain smoking while we were watching the movie. My mom had drummed into me the horrors of second-hand smoke and I was sure I was slowly dying of lung cancer as I watched a man turn into a snake.

The Legend of Lizzie Borden
So I watched this when I was probably 13 or so, much too old to be scared by anything on TV. It started the woman from "Bewitched" as the parent killing Lizzie Borden, and was a made for TV movie. How bad could it be?
Well, there's all this stuff about how the dad had a funeral home in the basement and it was sort of implied there was some bad touching going on down there among the corpses. I seem to remember that Lizzie knocks out a blood tube from one of the bodies as well that goes all over the place squirting blood. Later in the movie, Lizzie strips down so she won't get blood on her clothes while hacking up her parents. "Wow! Naked Bewitched lady," I think. "Now we're talking. Ahhhh! She's chopping up her parents!" The whole arousal/fear thing overloaded my teenage brain and freaked me out for days afterwards.

Monday, August 17, 2009

The Monster Mash-Up

There's this little old lady who comes into the fiction department fairly regularly. She's about 4 feet tall and has to be 100 years old. She loves supernatural romances and will go through piles of them in a week. She's exhuasted our collection and has had to use the interlibrary loan system to get her fix from outside the area.

I didn't even know there was such a thing as supernatural romances, but they all seem to involve some sort of vampire/werewolf/ghost hunter woman who ends up falling in love with a monster. And I have inferred from the back cover descriptions that they have a lot of sex.

Now, I'm a fan of both monsters and the erotic arts, but I don't really think the two should be mixed. Plus, when did werewolves become sexy? Werewolves are the lamest of all the classic monsters, spending most of their time as humans whining about their curse. You don't see vampires or Frankensteins doing that, do you? Hell no, they embrace their monsterness. And why can't a Frankenstein monster get some love? Nobody ever makes movies or books about getting poor Frankenstein some action. Hell, even his own bride rejected him. If you ask me, there should be more erotic fiction concerning poor, unloved Frankenstein. Somebody needs to get on that.

Wait, what was I talking about? Oh yeah, the little old lady. So she says, "You know the books I'm looking for. Anything with ghosts, werewolves, vampires, anything like that."

"Well, let's see what we've got. Any thing in particular you're looking for?"

"No, just as long as it's kinky."